Differences

This shows you the differences between two versions of the page.

--- discourse [2021/03/19 13:03] – coco
+++ discourse [2021/12/07 14:30] – coco
@@ Line 1: / Line 1: @@
+*  //[[https://lesbianherstoryarchives.org/| The Lesbian Herstory Archives]]//
+*  //[[http://herstories.prattinfoschool.nyc/omeka/| Lesbian Herstory Archives (LHA), Brooklyn, NY]]//
+* Suely Rolnik, //[[https://monoskop.org/images/e/e2/Rolnik_Suely_Archive_Mania_Archivmanie_2011.pdf|Archive Mania]]//, Hatje Cantz, 2011.
+* Jacques Derrida, //[[https://monoskop.org/log/?s=derrida%2C+archive|Archive Fever]]//, University of Chicago Press, 1996.
+* Annet Dekker, //[[https://monoskop.org/log/?p=|Collecting and Conserving Net Art: Moving beyond Conventional Methods]]//, Routledge, London, 2018.
 * Mela Dávila-Freire, "Museums of the Future. Between Promise and Damnation", in: //Das Museum der Zukunft//, schnittpunkt und Joachim Baur (Hrsg.), transcript, Bielefeld, 2020, S. 105-109.
 * Mela Dávila-Freire, "Das Archiv im Museum", in: //[[https://monoskop.org/log/?p=22574|sich mit sammlungen anlegen]]//, Martina Griesser-Stermscheg, Nora Sternfeld, Luisa Ziaja (Hrsg.), De Gruyter, Wien, 2020, S. 237-238.
-* [[https://cyberfeminismindex.com/|Cyberfeminist INDEX]] by Mindy Seu
+* [[https://cyberfeminismindex.com/|Cyberfeminism Index]] by Mindy Seu
 * [[https://www.ida-dachverband.de/fileadmin/REDAKTION/EINRICHTUNGEN/ida/downloads/DDF%20Rechtebroschuere_2.Aufl_WEB.pdf|Digitales Frauen Archiv. Bewegungsgeschichte digitalisieren]], juristische Richtlinien von Valie Djordjevic und Paul Klimpel